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Archive for December, 2006

December 25, 2006 @ 3:33 pm

Pharoahe Monch | Gun Draws!

PHAROAHE MONCH
Desire
SRC Records
Release date: MAY 2007
http://www.gundraws.com

Pharoahe Monch debuts an internet-only video for his new single “Gun Draws,” which addresses the topic of gun violence. In this song, Pharoahe expresses his views from the standpoint of a bullet. In his refusal to edit the video’s “too graphic” content for television video outlets, the decision was to put this video on the internet.

[youtube]JZ6-FYAngvc [/youtube]

Filed under Announcements, News · No Comments »

December 13, 2006 @ 6:19 pm

Gimma “Superschwiizer” | Rapper from the Swiss Mountains

Courtesy of Nathaniel Calhoun & Ben Morgan

“This guy is from the Swiss mountains. The dialect is
crazy and even I can’t understand him, but you have
GOT to see how they made a hip hop video in a swiss
mountain village. Look closely at the dogs on leashes
- they aren’t dogs!”

[youtube]TKVN0pOcvlA [/youtube]

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December 10, 2006 @ 1:58 pm

Featured Video: Last Episode of Arsenio Hall (KRS ONE Killed It!)

[youtube]mWUFbn3AA8Q[/youtube]

Wu-Tang really had maaad people!

Filed under Audio, Video · 2 Comments »

December 10, 2006 @ 1:16 pm

Ghetto Capitalism

book

Sudhir Venkatesh’s new book unravels the mystery of the underground economy.
By Patrick Radden Keefe

America’s underground economy stubbornly resists reliable study or measurement. Its overall size may be anywhere from 5 percent to 10 percent of America’s GDP. Estimates of annual unpaid taxes range from $200 billion to $500 billion. Even the low ballparks are high. So, why do the dynamics remain so mysterious?

One answer is that under-the-table deals are by their nature surreptitious, and whether you’re paying an undocumented immigrant to rake your lawn, underreporting the money your restaurant made on a Saturday night, or dealing crack in a schoolyard, you’re not likely to expound on those activities to an academic (much less an IRS investigator). It doesn’t help that social scientists tend to employ the bluntest of tools. In their best-seller Freakonomics, Steven Levitt and Stephen Dubner tell the story of a grad student, Sudhir Venkatesh, who entered poor black Chicago neighborhoods armed with a wonky questionnaire while studying urban poverty in the late 1980s. The typical response to questions like, “How do you feel about being poor and black?” was so contemptuous that Venkatesh wondered whether, in addition to the multiple choice answers ranging from a) Very Bad to e) Very Good, he should perhaps have appended f) for Fuck You.

Eventually, Venkatesh jettisoned the survey and adopted a less orthodox methodology. He calls it “hanging out.” He spent years in a 10-square-block neighborhood on Chicago’s South Side observing the clandestine work of gangbangers and mechanics, prostitutes and pastors. The result, Off the Books: The Underground Economy of the Urban Poor, suggests that in some American neighborhoods, the underground economy is a source not just of sustenance but of order, and that while shady transactions may be illegal, they adhere to a distinctive and sophisticated set of laws.

Off the Books differs from most studies of underground economies in both scope and perspective. Venkatesh goes micro. His statistics are based on tiny areas: Only two of the 21 families on one residential block are traditional nuclear families; only 10 percent of the shop owners along one commercial strip have good credit. Eschewing the objective distance often prized in the social sciences, he gains the trust of the people he is hanging out with, sometimes by mediating their disputes. (He’s a little sheepish about this, saying he remains “not entirely comfortable” with his involvement.)

On that one residential block, Venkatesh focuses on three women: Bird, a prostitute; Eunice, an office cleaner who sells home-cooked meals on the side; and Marlene, a nanny who is president of the block’s neighborhood association. (All the names in the book are pseudonyms.) The women share tart observations about their respective livelihoods: Bird thinks gangsters should “let the pimps show them how to run a business.” Through them, we come to meet a diverse cast of locals, “nearly all linked together,” Venkatesh writes, “in a vast, often invisible web that girded their neighborhood. This web was the underground economy.”

Licit and illicit economies tend to be entwined, and in a closely knit urban neighborhood, this mutual dependence means that public-minded civilians and hardened criminals are regularly forced to negotiate. In the spring of 2000, an entrepreneurial gang leader, Big Cat, was elevating the criminal activity in a local park. Marlene and a preacher, Pastor Wilkins, arranged a tense summit with the kingpin in a church basement. Venkatesh talked his way into the room and watched as Big Cat agreed to stop peddling drugs in the park during after-school hours. For this concession, Pastor Wilkins promised to persuade a nearby store owner to allow Big Cat’s gang to deal in his parking lot, and Marlene agreed to ask the cops to leave the dealers unmolested in their new location.

“I can’t figure out who’s crazier,” Big Cat chuckles, once the deal is struck. “Me, or you niggers.”

The people in Off the Books are struggling, and their many informal transactions represent a kind of adaptive strategy —and often an indigenous social safety net. Private property is a luxury in the neighborhood, so for $300 a pop, a restaurant doubles as a gambling hall on the weekends; prostitutes use the back room of the dollar store; the currency exchange sells fake Social Security cards obtained by a local pastor. All of this gives new meaning to the urban planning notion of “mixed use.”

Similarly, neighborhood residents get around bad credit by borrowing what money they need within the community. Debts aren’t always repaid with money. Venkatesh charts the degree to which promises and payments in kind substitute for cash. Small businesses give homeless people a place to sleep in exchange for food because it’s cheaper than paying a night watchman; a prostitute and a grocer transact business without ever opening their wallets. Leroy, a mechanic, eventually gets rid of his cash register, because “his customers seemed unable to pay with our nation’s legal tender.”

In his efforts to demonstrate that this shadow economy is anything but the desperate Hobbesian scramble an outsider might assume, Venkatesh can at times sound like Jane Jacobs extolling the civic merits of Manhattan’s West Village. “Beneath the closed storefronts, burned-out buildings, potholed boulevards, and empty lots, there is an intricate, fertile web of exchange, tied together by people with tremendous human capital and craftsmanship,” he writes. In this view, even Big Cat is a “stakeholder” in the neighborhood, with an interest in seeing norms adhered to and order preserved. “It’s not a crack house,” as an old Onion headline had it. “It’s a crack home.”

But these very bonds of mutual dependence that hold the neighborhood together can breed severe dysfunction and seriously compromise pillars of the licit establishment. Eunice, who sells soul food for a living, pays a teacher $20 a week to let her grandchildren out of school to make deliveries. Cops take bribes and enforce justice selectively.

Perhaps the most surprising aspect of Venkatesh’s account is the role of neighborhood ministers. Clergy resolve disputes, but they don’t do it for free. Numerous ministers accept “contributions” from gangs and drug dealers for their services. They take other forms of payment, as well; Bird, the prostitute, has serviced “most of the preachers in this community.” Other ministers have been known to hide guns, drugs, and stolen property for a fee. Nannies rely on preachers for referrals to families but must pay a 10 percent commission. The residents are unshocked by all of this. They conclude that it would be impossible to navigate the community without making certain allowances. “We are poor people. And so are our ministers,” one congregant says. “We need to be our leader, not perfect or without sin.”

If Venkatesh sometimes marvels at the ingenuity of the people he writes about, he does not overlook the essentially tragic nature of the story he is telling. The depredations of daily life mean that for many residents, what Venkatesh calls the “perceptual horizon” does not extend beyond the neighborhood. Sadder still, it doesn’t reach beyond the struggles of the day to day. Bird, Eunice, and Marlene each envision a leisurely future of comfortable retirement. But none is clear on precisely when and how that future will come to pass. In the meantime, they hustle to get by, and the hustle means relying on one another. “You have to do things shady,” one local businessman tells Venkatesh. “Well, maybe not shady like committing a crime, but shady like you depend on each other.”

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December 10, 2006 @ 1:08 pm

After School Coordinator Needed At GroundWork

Job Description:
POSITION DATES:        After School Academy: September 18th-June 15thPOSITION HOURS:        After School Academy: Monday-Friday from 3:00pm – 6:00pm

SALARY:                     $25 per hour

Groundwork is recruiting Program Specialists to design and lead arts, music, recreation, and other enrichment activities for students attending our after school program in the East New York section of Brooklyn. We are seeking creative professionals with experience working with the youth in the following particular (but not limited to) areas:
•        Recreation
•        Technology
•        Videography
•        Visual Arts
•        Performing Arts
•        Foreign Languages

ROLES and RESPONSIBILITIES:

        Design and lead program activities in your area of specialty.
        Role model active participation in all academic, social, and experiential education activities.
        Ensure children’s safety and effective behavior management in accordance with program policies and procedures.
        Communicate with parents regarding children’s progress.
        Assist in evaluating children’s academic and social performance.
        Communicate with campus staff ensure alignment
        Participate in all program trainings, meetings and events as required.

QUALIFICATIONS: Must have significant experience working with children in a structured youth program or K-12 school, preferably in a racially, ethnically, and socio-economically diverse urban community. Possess an ability to engage and lead children in small group activities in your area of specialty; strong communication skills, strong organizational skills, excellent judgment, ability to work in a team in a variety of environments. Candidates possessing skills in foreign languages, visual arts, music, or performing arts are strongly encouraged to apply.

HOW TO APPLY: Submit resume, cover letter, and sample lesson plan via email to hiring@groundworkinc.org or fax to (718) 346-2020, Attn: HR. Indicate “Program Specialist” in the subject line and the Ad publication the job was posted. In your cover letter, please detail your area of program expertise (e.g., Spanish language instruction) and your experience working with youth. Please include a brief (2-3 pages) sample lesson plan that could be delivered to a group of middle schoolers. No phone calls, please. Note: Federal and state regulations require a background check for any person employed in a position directly serving children. Groundwork is an Equal Opportunity Employer.

Other Information About This Job:
Groundwork helps neighbors build powerful communities. We identify small neighborhoods, typically public housing developments and the blocks that surround them, and work with community members and institutions to provide high-quality educational programs and support services to the children and families who live there.
Visit website for full job description (www.groundworkinc.org)

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December 10, 2006 @ 1:07 pm

Atlantic Records Looking For Interns

Currently looking for students who are interested in an internship position in the entertainment industry. An internship with us can help bridge the gap between college and the “real” world. Allowing yourself to experience new roles, expectations, and behaviors of the job arena with details to the fast-pace music industry. Atlantic Records has internship opportunities in the following departments: *A&R. *Business & Legal *Human Resources *Publicity *Sales *Creative Arts *International Marketing *Video Productions *Artist Development *Finance *New Media *Strategic Marketing *Video Promotion *Urban and Pop/Rock Promotions *Executive

email resumes to: intern_staffing@atlanticrecords.com

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December 10, 2006 @ 1:05 pm

Brooklyn Academy of Music - Patron Services Coordinator

Brooklyn Academy of Music (BAM) is an internationally recognized presenter of contemporary performing arts & cinema. BAM’s Planning & Development Department raises over $30 million each year for its operating & endowment needs. The department encompasses the following units: endowment, fiscal, grant writing, membership & individual giving, patron services, sponsorship, & special events. In a typical year, BAM will host over twenty music, theater and dance engagements, presenting up to 200 performances. Additionally, BAM plans 40-60 special events and produces up to three major gala fund-raisers annually.

The Patron Services Coordinator will provide personal ticket fulfillment and customer service for high level patrons and sponsors (elected officials and their representatives, foundation and corporate representatives, and highest level individual contributors). The Patron Services unit acts as liaison to important BAM supporters, largely by making sure that their special needs receive proper attention and that they remain enthusiastic about BAM.

The successful candidate will be very detail-oriented, patient, self-motivated, and a natural people person who is able to handle multiple projects at once, often under pressure. This individual will report to the Patron Services Manager

Responsibilities include:
· Assist in training and supervising Patron Services Assistants and interns in connection with specific aspects of office operations.
· General supervision of the Patron Services office in the absence of the Patron Services Manager
· Maintaining communication, both written and oral, with major fund donors and attending to their special requests
· Keeping accurate records and files and updating the data base
· Making final decisions regarding the allocation of house seat tickets for high level patrons and sponsors (approx. 5000 people, accounting for $30,000,000 in annual income)
· Working the pre-performance ticket table: a fast paced environment, distributing tickets and troubleshooting patron ticket and other customer service problems
· Daily reconciliation with the box office on ticket inventory and income, periodic reconciliation with the Fiscal unit of Planning and Development
· Making recommendations regarding projected ticket needs for upcoming shows
· Tracking responses to invitations for all BAM’s Special Events
· Assisting with events ranging from gala premieres to small dinner parties
· Identifying and assessing fundraising prospects from the patron base and recommending courses of action
· Assisting with individual fundraising efforts for membership campaigns and gala ticket sales
· Taking member reservations for the BAMcafé and the BAMbus
· Coordinating mailings of up to 10,000 pieces

Additional Qualifications:
Excellent verbal, interpersonal and organizational skills; must be a calm effective problem solver. Additionally, the person will be a team player & a hard worker, with a willingness to work late evenings & weekends. Knowledge and experience in performing arts, fundraising, ticketing and/or Tessitura a plus. Computer literacy (MS Word, Excel, Outlook, database experience).

How to Apply:
Please send cover letter, resume, 2 writing samples (250 words or less) & references to Hrresumes@bam.org

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December 8, 2006 @ 2:00 pm

The UMOJA Supplementary Education - Dec 9, 2006

Umoja
Join the UMOJA Media Project and the Institute for Urban and Minority Education for a viewing of a youth produced documentary video, “UMOJA We Are One: Creating Peace in Our Community”, a project of TRUCE, the award-winning youth arts program of the Harlem Children’s Zone. The video chronicles the relationships between African immigrants and African Americans in Harlem, exploring the tensions, struggles, issues and the opportunities of the multicultural activity through the eyes of the youth.

Following the half-hour video, the youth producers and community members will moderate a student panel highlighting the issues raised in the documentary, discovering how young people are a primary resource to address the complex issues such as immigration rights, the right to education and civil liberties. After the student panel, participants will attend the first two breakout sessions. Each breakout session will highlight a particular topic related to the UMOJA video.

Breakout sessions provide a forum for Supplementary Education Programs (community, cultural, health, religious, and recreational organizations) to discuss their work and share resources while allowing participants to exchange ideas and information.

Breakout sessions will be facilitated by teams of students from TRUCE. The first breakout session will be a working lunch beginning at 12:30 p.m. The second breakout session will begin at 2:00 p.m. Each breakout session will suggest one “Call to Action” that will be shared at the final large-group session at 3:00 p.m.

Schedule: December 9, 2006

10 am - 10:30 Participant Arrival, Registration, Refreshments
10:30 am-10:45 am - Welcome, Overview
10:45 am - 11:15 am - Viewing of UMOJA!
11:15 am - 12:00 pm - Student Panel Q&A
12:00 pm - 12:15 pm - Mission: Call to Action
12:30 pm - 1:45 pm - Breakout Session I - Working Lunch
2:00 pm - 3:00 pm - Breakout Session II
3:00 pm - 3:40 pm - Call to Action!

Download Umoja Program Overview

Filed under Education, Events, New York, News · No Comments »

December 5, 2006 @ 10:54 am

Public Perception of Torture: News and Entertainment - December 7, 2006

Thurs., Dec. 7, 7:00 p.m.
$15 series, single admission $8.
Theresa Lang Center, 55 West 13th Street, 2nd floor.

Webcast: www.newschool.edu/webcasts

As one of a three-part series on “Humanity and Torture,” sponsored by the Wolfson Center for National Affairs, this panel discusses the power of the media to shape our ideas about acceptability of torture. A short composite film of excerpts from Hollywood movies, TV dramas, documentaries, and news footage precedes the discussion.

Moderator, Martin Fisher, cultural critic. Panelists: Amy Goodman, Democracy Now!; Eugene Jarecki, filmmaker, Why We Fight and The Trials of Henry Kissinger; Martha Diaz, Hip Hop Association; Scott Horton, partner at Patterson, Belknap, Webb & Tyler in New York and adjunct professor at Columbia Law School; David Stovall, University of Illinois at Chicago; and Scott Horton, president, International League for Human Rights, and partner with the law firm of Patterson, Belknap, Webb & Tyler LLP New York, who has worked with the Lawyers Committee for Human Rights and Human Rights Watch. This series continues on January 24, 2007.

Filed under Education, Events, New York, News, Panels · No Comments »

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Defuse News is the official news service of the Hip-Hop Association. The mission of Defuse News is to connect the global Hip-Hop community through reliable news and information from a Hip-Hop perspective. Published monthly, Defuse News includes commentary from members of the Hip-Hop community, as well as information about global issues and developments, community announcements, and resources like grants, fellowships, and job opportunities.

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